O Rama Sri Rama Na Rama Sita Mp3 Free 19 Free
Namaste,In the Jagadanandakaraka krithi, in charanam 4 " vara mantra grahana lola" , vara mantra has been taken to be as the gayatri mantram. Although it sounds appropriate, could it be "the taraka mantram" ,i.e. the rama nama. Then it would mean that rama becomes lola or dear to the one who takes up or grahana of the superior or vara mantra.In the same charanam why has Sugriva been taken to be vanara-adhipa? It's most common to see Hanuman clasping Rama's anghri yuga. Moreover in the shloka manojavam...Hanuman is addressed as vanara yutha mukhyam. Taking Mukhyam as head or chief ,Vanara-adhipa should be denoting Hanuman. Kindly look into these at the earliest
O Rama Sri Rama Na Rama Sita Mp3 Free 19
Sita Ramam featured nine songs in the film, which had lyrics written by Ananta Sriram, Sirivennela Seetharama Sastry and Krishna Kanth. For the dubbed versions, Madhan Karky (Tamil), Arun Alat and Vinayak Sasikumar (Malayalam), Kumaar, Jai Atre, Mandar Cholkar, Varun Grover, Vaibhav Joshi, Neha Shitole and Vishal Chandrashekhar (Hindi), were the lyricists. The soundtrack album only had four songs which are released as singles.
He followed up with lyrics for songs in films such as Shubha Muhurtam, Priya Raagaalu, Aahaa..!, Pelli Kanuka, Sindhooram, Aavida Maa Aavide, Chandralekha, Wife of V. Varaprasad, Seetharama Raju, Prema Katha etc. His lyrics received positive reception and won him his seventh and eighth Nandi Award for Best Lyricist for the songs "Ardha Shatabdapu" (Sindhooram) and "Devudu Karunistadani" (Prema Katha).[citation needed]
Seetharama Sastry is known to have a long time association with banners Annapurna Studios and Sumanth Art Productions and directors K. Viswanath, Ram Gopal Varma, Krishna Vamsi and Trivikram Srinivas.
With K. Viswanath, he has worked on many films including his debut venture Sirivennela, Sruthilayalu, Swayamkrushi, Swarna Kamalam, Aapadbandhavudu, Swati Kiranam, Subha Sankalpam etc. K. Viswanath is also known to have introduced Sirivennela Seetharama Sastry.
Krishna Vamsi is known to be a big fan of Sitarama Sastry. The films for which Sitarama Sastry wrote lyrics, which were directed by Krishna Vamsi include Ninne Pelladatha, Gulabi, Sindhooram, Chandralekha, Murari, Khadgam, Chakram, Mahatma etc. and more recently Paisa.
Trivikram Srinivas is a relative of Sirivennela Seetharama Sastry. Sitarama Sastry wrote lyrics to films directed by Trivikram such as Nuvve Nuvve, Athadu, Jalsa , Khaleja, Son of Satyamurthy, Agnyaathavaasi and Ala Vaikunthapurramuloo
Seetharama Sastry's lyrics are known to have extreme optimistic value. Through his lyrics, he has time and again conveyed the essence of life by giving simple yet powerful examples and motivated people into living a happy, meaningful life irrespective of the hurdles one encounters. Some examples of this kind of song include "Aakasam Thakela" (Nuvvostanantey Nenoddantana, Prabhu Deva's directorial debut), "Entha Varaku" (Gamyam). Some of his songs also have rebellious tendencies, criticizing the shortcomings and social evils of society in songs like "Niggadeesi Adugu" (Gaayam), "Ardha Satabdhapu" (Sindhooram). He also wrote songs which have humour like "Vaareva Emi Face uu" (Money).He was often considered the most versatile Telugu film lyricist working because he has contributed lyrics for songs comprising all kinds of genres like duets, hero introduction, romantic, devotional, thought provoking, lighter vein.
Seetharama Sastry was a celebrity actor for "Subhagruha", a real estate firm.[6] His interpretation of his Lyrics & Poetry has been published as a book named Sirivennela Tarangalu.Sitarama Sastry attended Loksatta Party on 3 March 2014 in a public event in Tirupati.[7] In summer of 2014 along with singers Parthasaradhi (Parthu) and Sahithi, he toured many cities in United States presenting the concept behind the lyrics called "Sirivennela Antharangaalu".
Seetharama Sastry died on 30 November 2021 at Krishna Institute of Medical Sciences, Secunderabad, Telangana due to lung cancer.[1][8] On 24 November 2021, he was admitted to KIMS hospital with pneumonia and was put on ECMO (extracorporeal membrane oxygenation) treatment for supporting his lungs.[9]
Ten years later, the twins decide to visit a drought and famine-ravaged Ayodhya to get the blessings of Srirama & Sita also recite the Ramayan. Whereupon, they get the knowledge that Srirama has ostracized Sita. Later, they back with an aversion and refuses to invoke the Ramayan. Sita fails to endure, and fumes which indicate fright. However, she calms after Lava-Kusa re-chanting the Ramayana. After a while, Vashitha instructs Rama to conduct Aswamedha Yagam for the welfare of the country which is impracticable without a wife. Then, Vashista proclaims it can be feasible with the golden ideal of Sita. Plus, the gold required for it is bestowed by the civilians as an atonement for their sins. Now all the sages and saints are invited to the ritual and news spreads to Valmiki's ashram. At this, Sita is perturbed, suspects Srirama's spirit, and collapses. Accordingly, Valmiki relieves her soul to Ayodhya where she is startled to see golden Sita and Srirama's adoration on her.
Soon after, Valmiki states that the meaning of Rama Avtar is standing on one word, one arrow and love is for only one wife. Herewith, Sita repents and performs a pooja as contrition as per the advice of Valmiki. Meanwhile, Srirama begins the ritual and leaves the horse which the twins obstruct, confronts Lakshman, and defeats the entire Ayodhya army along with him. Being cognizant of it, Srirama proceeds to recoup the horse and an altercation carry out between father & sons which leads to war. Spotting it, Hanuman hurriedly rushes to Sita and informs her of the catastrophe. Immediately, she impedes the battle and proclaims Lava-Kusha as the progeny of Srirama. Thus, the two embrace their father when everyone requests Sita to be back as queen which she denies and returns to her mother Bhudevi. At last, Rama and his brothers renounce the throne by crowning Lava-Kusha. Finally, the movie ends on a happy note with Rama & Sita merging into their original forms of Vishnu & Lakshmi at Vaikuntha.
The production costs escalated because of Sankara Reddy's decision to make the film in colour. The film's production commenced in 1958 and got stuck due to lack of funds after completion of one-third of the planned portions.[3] After five years, Sundarlal Nahata offered to provide funds in lieu of the film's distribution rights and B. Nagi Reddy provided studio facilities. By then, Pullayya's health deteriorated and Sankara Reddy approached B. N. Reddy to complete the film. Narasimha Reddy advised him to consider Pullayya's son C. S. Rao.[3] Rao was reluctant, opining that nothing dramatic was left for him to film. Pullayya convinced Rao to take up the task, stating that the emotional scenes in Rama's palace were of equal importance to the story.[3]
Dr.Bhairavi May I know if you want the Dikshitar kritis in Sanskrit (PDF)?If you want a complete list of the kritis in English transliteration ,Kindly visit. ( for Rangapura vihaara) -rangapura-vihara--------------------------------------------------------- ------------------------------------------------------------- Can you read Sanskrit? If so, I can send a pdf in sanskrit. Write to me rs.ramaswamy@gmail.comHope this helps.Best Regards.RSR